![]() ![]() They may recommend you build it differently to accommodate the color changes after file submission.Īccess the More Colors option from the color palette to create a specific color formula that you can then load into the color palette. If you need a different library, talk with your commercial printer first. ![]() Publisher uses the Pantone CVC color library. After you load those two spot colors, the color palette displays them in 10-percent increments plus white. Publisher limits your Pantone choices to two colors plus black. You can change the color space at any time for ultimate control, do it before you begin your design. Before sending off a Publisher file, go to Tools > Commercial Printing Tools > Color Printing and select the correct color space (probably CMYK or Pantone). Color Optionsīy default, Publisher works in the RGB color space, but of course, commercial presses don’t print in RGB. Without these key pieces, you may be faced with unplanned additional costs and wasted time before your job can print. You’ll have to make sure your layout file is in the appropriate color space, set up bleeds if anything on the page goes to the edge of the sheet, and supply the fonts and images used in the design. Regardless of the commercial printer you choose, your Publisher files won’t output correctly unless you meet certain requirements. And that’s where this article can help, with Publisher-specific tips for preparing files to be commercially printed. It’s possible to produce high-quality printed pieces from Publisher files, but you may have to take different steps during the production process. But when circumstances cause us to use less common applications, we have to adapt to get the best results. Programs such as QuarkXPress, InDesign, and Illustrator are the most common tools on a graphic designer’s utility belt. ![]()
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